Analysis of Identity Formation and Social Structures in the Animated Movies "Soul" (2020) and "Guillermo del Toro's Pinocchio" (2022), Based on Pierre Bourdieu's Concept of Habitus

Document Type : Research Paper

Authors

1 Faculty of Islamic Arts, Tabriz Islamic Art University, Tabriz, Iran

2 Faculty of Fine arts, Atatürk University, Erzurum, Türkiye

3 Assistant Professor Tarbiat Modares University Art and Architecture faculty Head of department of Animation And Cinema

10.22051/jjh.2024.47566.2196

Abstract

This article examines how identity formation and social structures are portrayed in the animated films "Soul" (2020) and "Guillermo del Toro's Pinocchio" (2022) through the lens of Pierre Bourdieu's concept of habitus. The aim is to analyze how the habitus of the characters influences their behaviors and identity development within their respective narrative contexts, with a focus on the interaction between internal dispositions and social structures. Using a qualitative comparative approach, this study applies Bourdieu's theories on habitus, capital, and social fields to examine key scenes, character development, and narrative elements in both animations. Data was collected through detailed observation of the characters' evolution and interactions. The analysis reveals that in "Soul," Joe Gardner's habitus is initially constrained by his socioeconomic background and familial expectations but evolves throughout his existential journey, reflecting a shift from professional success to an appreciation of everyday moments. On the other hand, "Pinocchio" shows how Pinocchio's habitus is shaped by external pressures, including authoritarian control and economic exploitation, leading to transformation through moral and social challenges. "Soul" presents a nuanced exploration of habitus in a contemporary setting, emphasizing personal growth and the reinterpretation of cultural capital. Furthermore, "Pinocchio" offers insights into how social norms and economic capital influence identity within a historical framework. In comparison, "Soul" is more successful in conveying the fluidity and complexity of the habitus concept, providing a detailed depiction of how identity is shaped by cultural capital and personal experiences. This study contributes to the theoretical understanding of habitus in animated cinema and opens avenues for further research across different media and genres.

Keywords

Glory of Art (Jelve-y Honar) Alzahra Scientific Quarterly Journal

Articles in Press, Accepted Manuscript
Available Online from 14 September 2024

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